As content ecosystems expand and the technology landscape grows more complex, brands are re-evaluating the role of DAM. It’s no longer a single repository but part of a connected environment spanning people, processes, data, and technology.

A discussion to explore how organizations are re-designing their operating models to drive scale, efficiency, and creative agility across the content supply chain.

Core themes to be discussed:

Measuring ROI in Digital Asset Management isn’t always about dollars, and that’s okay. In this session, we’ll explore how to define and demonstrate the real value of your DAM, even when it doesn’t directly translate into revenue.

From efficiency gains to user satisfaction and creative consistency, there are many ways to show that your DAM is worth the investment.

Customers expect more than content delivery – they expect seamless, personalized experiences at every touchpoint. Meeting this demand requires more than incremental improvements; it calls for true transformation of the content supply chain.

At the heart of this transformation is DAM – not as a static system of record, but as a strategic, AI-ready enabler that connects people, processes, and technology.

Sara Soskolne is an Executive Creative Director at Monotype and one of the most respected voices in contemporary type design. Previously Senior Designer at Hoefler&Co, she has contributed to some of the most influential revivals and original typefaces of the past two decades with a unique balance of rigor, craft, and cultural insight. At Monotype, she helps global brands navigate the complexity of typography, ensuring that type remains both a discipline of precision and a living art that shapes how we communicate.

Charles Nix is a typographer, designer, educator, and creative provocateur. As Senior Executive Creative Director at Monotype, he helps some of the world’s most recognizable brands express themselves through type. His work spans custom typefaces for M&M’s and Progressive Insurance to global library releases like Helvetica Now, Walbaum, Ambiguity, and Hope Sans. Raised in a print shop and trained at The Cooper Union, Charles began his education with every intention of becoming an artist but was quickly drawn into the world of type.