A descriptive term in search of a clear meaning:
"Digital preservation" is a term that gets thrown around constantly in cultural heritage circles – but what does it mean, in practice, for galleries, libraries, archives, museums, and performing arts organisations operating within real-world constraints?
Is it different from:
- Backup?
- Storage?
- Digitisation?
Clarity is required if under-resourced GLAMP organisations are to make the move from theory to practical implementation.