Daria is the DAMS Manager at the Ashmolean Museum in Oxford, where she has worked since 2019 in the Digital Collections department. She has 10 years’ experience working in digital asset management, and particularly rights management, at the Ashmolean and in commercial picture libraries. She has an MA in Social Anthropology and is interested in the role of digital for museums in balancing public access alongside custodianship of creator and source community rights. Outside of work she can be found visiting other museums, at the bouldering wall, or digging things up on her allotment.

Diane is a Philadelphia-based executive producer specializing in creative technology. She loves bringing big ideas to life, working at the intersection of storytelling and systems to turn creative digital concepts into real, meaningful experiences. Throughout her career, she’s partnered with global brands like Google, Meta, Netflix, Salesforce and more, helping teams bridge the gap between creative vision and technical execution. Her passion for connecting the dots and building collaborative momentum makes complex projects feel not just possible but energizing.

Beth has been working in the Digital Shelf space for over ten years, supporting a variety of global consumer brands (most recently the Estée Lauder Companies, Kenvue and Pernod Ricard USA) to deliver product data transformations.

Beth has been working in the Digital Shelf space for over ten years, supporting a variety of global consumer brands (most recently the Estée Lauder Companies, Kenvue and Pernod Ricard USA) to deliver product data transformations.

Patricia Falcão is a time-based media conservator at Tate and a researcher in the AHRC-funded collaborative doctoral program at Goldsmiths College London. Both at Tate and Goldsmiths she researches and develops strategies for the preservation of software-based artworks as well as digital components of artworks more broadly. She is part of the team developing and implementing Tate's High Value Digital Asset Storage System, as well as the adaptations to Tate's Collection Management System to fit Time-based and Software-based artworks. 

Career History

Sam is a global learning and development leader with a track record of partnering and agility to drive measurable learning impact across the Pharma, Biotech, MedTech, and High-Tech sectors. He has successfully led highly distributed global teams across multi-national environments competing in diverse markets with complex geopolitical environments. Sam is skilled at translating strategy into scalable operations and commercial capability solutions that improve competitive execution across global markets and teams. 

Callum McKean is the Lead Curator for Born Digital Archives and Manuscripts at the British Library, where he has looked after the UK national collection of literay and political personal archives since 2021, overseeing their acquisition, preservation, processing and access provision. His recent research projects, 'Data Analysis and Network Visualisation as Tools for Curating Hybrid Correspondence Archives', which considred e-mail and analogue correspondence networks in the Harold Pinter collection.