Creative Operations

Henry Stewart Events is the leading producer of Creative Operations content worldwide. Join one of our complimentary webinars, online courses, virtual events, or visit us at conferences in New York, London, Sydney, and Los Angeles.

Welcome to HS Creative Operations
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Sara Soskolne is an Executive Creative Director at Monotype and one of the most respected voices in contemporary type design. Previously Senior Designer at Hoefler&Co, she has contributed to some of the most influential revivals and original typefaces of the past two decades with a unique balance of rigor, craft, and cultural insight. At Monotype, she helps global brands navigate the complexity of typography, ensuring that type remains both a discipline of precision and a living art that shapes how we communicate.

Charles Nix is a typographer, designer, educator, and creative provocateur. As Senior Executive Creative Director at Monotype, he helps some of the world’s most recognizable brands express themselves through type. His work spans custom typefaces for M&M’s and Progressive Insurance to global library releases like Helvetica Now, Walbaum, Ambiguity, and Hope Sans. Raised in a print shop and trained at The Cooper Union, Charles began his education with every intention of becoming an artist but was quickly drawn into the world of type.

Ben is a writer, surfer, and father (not necessarily in that order).

His creative reputation has been built over an 18-year career working in Australia and the United States.
In this time, he has won hundreds of local and international awards across dozens of brands at Cannes, D&AD, One Show, CLIO, AWARD, The Webbys and more, as well as multiple Effies.

Registration for this series includes access to all sessions to view live and watch again on demand.

Session 1: Mapping the AI Landscape – From Multimodal Models to Business Applications
Tuesday, February 03, 2026
8AM PST / 11AM EST / 4PM GMT / 5PM CET

Objective: Build a clear understanding of modern AI tools and core business applications.

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