Events

John Elworthy is Chief of Staff at inriver with responsibilities over company strategy & execution. 

John has more than 25 years experience in software. Prior to inriver John served in various leadership positions within Danaher, where most recently he served as global commercial leader at Linx, and VP Deployment at Esko.

Daria is the DAMS Manager at the Ashmolean Museum in Oxford, where she has worked since 2019 in the Digital Collections department. She has 10 years’ experience working in digital asset management, and particularly rights management, at the Ashmolean and in commercial picture libraries. She has an MA in Social Anthropology and is interested in the role of digital for museums in balancing public access alongside custodianship of creator and source community rights. Outside of work she can be found visiting other museums, at the bouldering wall, or digging things up on her allotment.

Beth has been working in the Digital Shelf space for over ten years, supporting a variety of global consumer brands (most recently the Estée Lauder Companies, Kenvue and Pernod Ricard USA) to deliver product data transformations.

Beth has been working in the Digital Shelf space for over ten years, supporting a variety of global consumer brands (most recently the Estée Lauder Companies, Kenvue and Pernod Ricard USA) to deliver product data transformations.

Patricia Falcão is a time-based media conservator at Tate and a researcher in the AHRC-funded collaborative doctoral program at Goldsmiths College London. Both at Tate and Goldsmiths she researches and develops strategies for the preservation of software-based artworks as well as digital components of artworks more broadly. She is part of the team developing and implementing Tate's High Value Digital Asset Storage System, as well as the adaptations to Tate's Collection Management System to fit Time-based and Software-based artworks. 

Callum McKean is the Lead Curator for Born Digital Archives and Manuscripts at the British Library, where he has looked after the UK national collection of literay and political personal archives since 2021, overseeing their acquisition, preservation, processing and access provision. His recent research projects, 'Data Analysis and Network Visualisation as Tools for Curating Hybrid Correspondence Archives', which considred e-mail and analogue correspondence networks in the Harold Pinter collection.